Related Paintings of unknow artist :. | Floral, beautiful classical still life of flowers.129 | Sedan Vasco da Gama oppnat sjovagen to Ostindiev via Gobabopps udden avseglade a fleet pa twelve vessel wonder charge of Cabral the 9 Mar 1500 in orde | Same vessel am exposing sits imposing akterkastell | Giotto, Christ Begrates | parnell ar 1885 i katharine o sheas hus i eltham |
Related Artists:
Jacob Ochtervelt
(1634, Rotterdam - 1682, Amsterdam), was a Dutch Golden Age painter. According to the RKD he was active in Haarlem where he was a student of Nicolaes Pietersz Berchem and later he moved back to Rotterdam (1655-1672) where he was a pupil of Ludolf de Jongh. After the rampjaar he moved to Amsterdam
James Gillray
English Illustrator, 1757-1815 English caricaturist and illustrator. He was essentially self-trained although he studied at the Royal Academy and on the Continent. His caricatures of the court of George III made him immensely popular. His masterly delineations, vigorous, clever, often subtle, sometimes vulgar and grotesque, numbered more than 12,000. Among his best-known cartoons are A New Way to Pay the National Debt (1796), Social Elements in Skating (1805),
John Michael Wright
English Baroque Era Painter, ca.1617-1694,was a British baroque portrait painter. Wright trained in Edinburgh under the Scots painter George Jamesone, and acquired a considerable reputation as an artist and scholar during a long sojourn in Rome. There he was admitted to the Accademia di San Luca, and was associated with some of the leading artists of his generation. He was engaged by Archduke Leopold Wilhelm of Austria, the governor of the Spanish Netherlands, to acquire artworks in Oliver Cromwell's England in 1655. He took up permanent residence in England from 1656, and served as court painter before and after the English Restoration. A convert to Roman Catholicism, he was a favourite of the restored Stuart court, a client of both Charles II and James II, and was a witness to many of the political manoeuvrings of the era. In the final years of the Stuart monarchy he returned to Rome as part of an embassy to Pope Innocent XI. Wright is currently rated as one of the leading indigenous British painters of his generation and largely for the distinctive realism in his portraiture. Perhaps due to the unusually cosmopolitan nature of his experience, he was favoured by patrons at the highest level of society in an age in which foreign artists were usually preferred. Wright's paintings of royalty and aristocracy are included amongst the collections of many leading galleries today.